Category: Action Cameras

0

  • SJCAM A10 / M40 Bodycam Announced – Specs and Features

    SJCAM A10 / M40 Bodycam Announced – Specs and Features

    If you’re familiar with a Chinese brand SJCAM, you’re aware that lately they’ve been focused on broadening their production range to dash-cameras, virtual reality cams, and video stabilizers. A few days ago, this Shenzhen based company announced – SJCAM A10 or M40 – their first body-worn camera – bodycam.

    Bodycam is a wearable camera with the main purpose to be attached to your body and record action. These cameras have been around for quite a while. In some countries, the law enforcement uses them. A recent report shows that the usage of body-worn cameras by the police officers decreased the complaints against the police brutality.

    Hunters and outdoor enthusiasts also use this type of recording devices. While these are, in essence, similar to an action camera, since a body camera records an action from the first-person view, the bodycams have slightly different shape and features.

    Throughout this article I will try to do an overview of the SJCAM M10 or M40, and also explain to you how a body worn cam works; also what we can expect from this particular model.

    SJCAM A10 or M40?

    First of all, let’s talk about the camera name. It’s obvious that A10/M40 is a completely different camera model, so it has to differentiate from their SJ4000, SJ5000, M20, SJ6 and S7 series.

    Quite frankly, I am confused with the product naming and not really sure why it is marketed as A10 aka M40. A while ago, we had the same level of confusion with their first ever car camera – SJ-Dash, which some retailers called the M30.

    My personal assumption is that this model will be marketed as SJCAM A10 in order to differentiate the model from their cube-shaped action camera series M10 and M20. Through the article, I will refer to the camera as A10/M40.

    SJCAM A10 / M40 Specification

    Before we take a look at the camera features and shape, let’s take a quick glance at the announced specs of the A10 / M40 body camera. Please understand that the final specifications may be subject to change.

    [go_pricing id=”scjam_a10″]

    Field marked as “-” in a table means we do not have information on it. We will update those blanks as more info becomes available.

    An overview

    The first thing that caught my eye about the A10 also known as the M40, besides its shape is the LEDs around the lens. In theory, this will enable way better low-light and night performance. The specs also show that there is an IR (infra-red) mode. And that’s huge for people who would use this camera in extremely dark conditions at night.

    The camera has LED lights around the lens.

    Even though the camera is meant to be mounted on a shoulder, the inclusion of a 2.0″ LCD touchscreen will give more options to whoever will be using it. With an LCD you will be able to preview your recordings right away and also change the cam settings.

    However, that was not the most surprising feature. The biggest surprise came from a fact that this body camera can be used as a car camera thanks to an adapter clip it has. With the adapter, you can transform this camera into a dash-camera, and record traffic. That special feature adds the A10 / M40 an important multi-purpose adjective.

    Moreover, according to the first release of technical specs, this camera is compatible with a remote controller.

    Front of the A10 has an ON/OFF button, whereas on the side there is an USB-C port and a HDMI port.

     

    On the left side of the A10 we have a recording button on top, the LED button which activates the light and something called IR CUT. I assume that the IR button activates infrared for enhanced night video recording.

    Even though there is no information about the chipset and the image sensor, specs claim that camera can record in full HD 1080P at 30/60 FPS. That can be a deal-breaker for users who prefer 4K or 2.7k. Our opinion is that for an average user, this will be more than enough.

    Camera can capture still images up to 12 megapixel.

    One thing that is missing is EIS (Electronic Image Stabilization), which, for a camera attached to a constantly moving subject, should be very important. We were unable to confirm if there will be some sort of video stabilization in this camera. Our recent article explains features that can make a difference in a cheap camera.

    According to some comments on SJCAM Facebook page, this camera does not have a waterproof case, instead the camera itself is splash-proof, which is a huge must-have advantage over some of their previous models.

    Pricing and release date

    At the time of this article writing, the release date and pricing for the A10/M40 body camera have not been officially announced.

    Summary

    It’s great to see SJCAM expanding and experimenting with different cameras. We’re excited to see the final specification for this model and more of its features. No matter whether marketed as a SJCAM A10 or M40, this camera will be particularly appealing to a certain group of people.

    While most of the features like a touch-screen, infrared, LED light and multi-purpose usage are great, I would personally like to see a video stabilization feature included in the final version of this camera. We will update this article as more information gets out.

    What do you think about body-worn cameras?  Is it a good sign that SJCAM is diversifying their offer?

    Let us know in the comments.

  • Underwater Action Camera Case Maintenance

    Underwater Action Camera Case Maintenance

    A step-by step Guide to taking apart, cleaning, and re-assembling an Underwater casing.

    INTRO

    Action Cameras usually come with their dedicated protective cases, either right within the range of included accessories, or as an option. There is a small number of exceptions, dubbed Amphibious cameras that are already built into weatherproof or waterproof bodies. These may have separate, optionally offered casings for greater depth pressure protection.

    All such devices without exception must be maintained in proper working condition! Their very functioning depends upon it, but to my knowledge there are rarely any User Guides that explain how to do it properly. That is the reason for the text you are reading right now.

    Any protective weather- or waterproof encasement is a volume of constant environment, an air bubble wherein the camera can safely operate. This bubble shields the camera’s optical, electrical and electronic parts from shocks, humidity, corrosion and pressure. As the prevalent majority of such casings are very similar in concept and construction, the maintenance is pretty same for many models.

    Underwater camera casing. This sample has touch-door and USB port.

    CASE BODY

    There is, obviously, the casing. Made from clear, hard-plastic Perspex-like material, it will have to closely follow the camera form and dimensions. The casing, or body, will have an objective / lens port, the main hatch to insert and remove the camera, an excenter-balance latching / locking arrangement, one or several command button pins with their assembly, and one accessory attachment, normally a two-pronged swivel link. Some bodies, like the one used here as an example, may also have additional openings for USB cable connection or an external microphone. Such an opening is blind-sealed by an appropriate plug when USB accessory is not being used.

    Case components

    Case body cleaning: Wash it closed! Use plenty of clean, lukewarm running water with no detergent, and take care to dislodge and wash off any sand, salt or biological matter using soft, lint-free rag. If you have to remove some firmly attached foreign matter, never use any tool harder than the acryllic / Perspex / ABS plastic. Wooden toothpicks are usually at hand and serve the purpose very well.

    If you have used your camera in saltwater, do not let it dry up! Best wrap the brine-soaked case in wet towel until you have access to freshwater. This will help prevent the forming of salt crystals in places where these may affect the sealing consistency.

    If the case has dried up prior to washing, sink it in shaded freshwater bath for an hour. Afterwards, when the salt crystals had time to dissolve, wash it in running water. Wipe off the water droplets, and let it dry in the shade.

    Generally, always keep all your water-going equipment in the shade – that goes for any and all the gear you use. This prolongs its life. Before opening the casing, wipe it dry with lint-free material. Take care to open the case with the main hatch downwards, to avoid ingress of droplets remained in the sealing groove and on nearby surfaces. Use only soft material to clean / dry the inside of the casing.

    An extra lens-wiping cloth (not the one you clean the lens with!) will be excellent for the purpose.

    LENS PORT

    The lens port is made of either a precisely polished plan-parallel glass, or a hard plastic composite. Consult the manufacturer’s specifications to determine which material they have used! Some lens ports may have additional layers, which aid in anti-fogging, ultra-violet, and for hydrophobic protection.

    This means that extra care is to be paid while cleaning, even when the glass used might be extra hardened to be scratch-proof.

    Lens ports are not always simply detachable from the case body. Sometimes there are glued connections there. Most times these ports are held pressed over the rubber gasket between the port and the case by several small screws. The port is then additionally covered by black plastic shielding which keeps the reflections off the camera optics.

    Since this assembly is pretty sensitive to mechanical manipulation, it is best left as is, unless one has to replace the badly scratched or cracked lens port.

    Any lens port obviously must be maintained perfectly transparent, so it should be meticulously and carefully cleaned. Especially so if the camera was used in saltwater, or where there might have been some chemically aggressive or abrasive matter (such as motor oil, alcohol, benzene, detergents or similar).

    Case lens port – the only part that has to be perfectly transparent!

    Lens port cleaning: Like the case body, it is regularly being washed from the outside. However, be extra careful there. Even if your camera port has been declared scratch-proof! I have yet to see an absolutely scratch-proof material. There might be a water-repelling layer on the outer surface, and you don’t want to wipe it off the glass.

    So, never use any solvents other than water, and no tools harder than the port / case material. Every lens port is an important part of the cam’s optical system – treat it with the same care!

    While cleaning the inside surface of the lens port, be careful not to use bare q-tips, because you’ll likely leave some cotton filaments to fumble with later. So fold the lens wiping cloth, put the q-tip into the fold, and use this to wipe out the port on the inside.

    If you have to dislodge some stubborn dirt there, add humidity by blowing warm breath over the port. Then repeat the wiping. This should suffice to have the camera lens see clearly through the port. Remember to let all moisture evaporate before closing.

    MAIN CASING PORT

    The main casing port is made to be opened and closed many times, and usually has a hinge on one side, to simplify the usage. The other side has a latching arrangement that holds the port in closed position. This port or “door” has a gasket in the groove around its rim.

    When closed, this forms a water-tight connection with the camera casing. Bewilderingly, most manufacturers can’t see the advantages of o-ring sealing principle, and make use of the “wedge” principle in forming their largest, or “main” gaskets.

    You can find more about the o-ring sealing principle here, so let me just say that a flexible wedge system depends upon the latching mechanism, which is not half as safe – except maybe on the drawing board! But until the casing manufacturers decide to recognize o-rings, what we get is what we see is what we have!

    There are hard casing ports (or “doors”), and there are also pliable plastic surfaces built into the normal port frame; these are meant for accessing the camera’s touch-screen. Touch-screen port is to be used in environments where your camera needs protective shielding, like in smoky interiors, rainy or snowy weather, or on the outside of fast-moving transport like boats, bikes, skis, jet-skis, cars, parasails, etc.

    Touchscreen casing hatches do not work underwater, but can usually stand some light water pressure, since the camera monitor surface supports the soft material from the inside. One should never exceed the manufacturer-rated maximum depth / pressure! Do not ever over-stretch the soft plastic by diving with no cam inside the case!

    Removing the main hatch gasket

    Cleaning a hard port: Long story short, pretty same as cleaning the case body, with the exception of the seal / gasket. If this port requires serious cleaning, remove the gasket first (see above how to do that).

    Cleaning a touch-screen port: Touch-screen port has a pliable, resilient plastic combined with the hard rim. While handling a touchscreen port, make sure to hold it only by the hard part, avoiding any pressure to the soft area. If serious cleaning is needed, remove the gasket first (see above how to do that).

    Use pure, lukewarm water and a clean piece of cloth. Holding the hatch rim in one hand, loop the wet cloth to touch simultaneously both inner and outer side of the pliable door section. Clean both surfaces gently, applying horizontal and vertical swiping motion.

    That way the sensitive plastic layer will not be overly stressed in either direction, and will remain in its normal flat state. Never apply pressure only to one side of this port, as any stretching could cause a deformation that would impede its touch-screen sensibility.

    Cleaning port gaskets: In the typical main hatch, the wedge-type sealing gasket hugs a shallow groove around the frame rim. This gasket is lately made from better silicone compound that is elastic and resilient. While an improvement compared to the material used before, it still can’t compete with the superior principle of an o-ring.

    Common to both sealing types mentioned is that these should be removed for proper maintenance, and it is done in the same way. See the images for details.

    Properly positioned wedge-type gasket

    I have never received any answer to my widely sent question to many manufacturers as to whether the silicone gaskets should be greased or not. Nothing about it was ever mentioned in any Action Camera Guide that I have ever seen or handled. Still, I’d suggest a thin film of silicone grease to the gasket, so it can slide into its seat without twisting and warping.

    For the same reason you should never close the casing by forcing its latch. Always carefully press the hatch into position by fingers! When it is properly seated, hold it and just apply the latch to keep it closed. If the latch has to fight the hatch gasket elasticity to close, the force exerted upon the plastic will be strong, and the latch might break.

    The casing I am using for explanation here is somewhat special in that it has double o-rings sealing its button commands. Some models may have single o-rings, which is neither better nor worse. I mean, double o-rings aren’t necessarily safer, but help with more equal pressure distribution and also better keep dirt on the outside.

    Another detail is, this case has an extra USB port on the right side, which accepts weather-proof cable connection, or an o-ring sealed blind plug for diving. Here’s how to typically remove an o-ring for cleaning or replacement.

    Typical safe removal of an o-ring

    To my experience, o-rings should be always clean and lubricated, because these have to move in their grooves to function. Other sealing type elements (like silicone compound wedge-type) should be slightly greased, and it would enable these to attain their positions better.

    But there are some sealing gaskets made from microscopically porous materials (similar to Neoprene), which are sometimes found in weather-proof (NOT waterproof!) camera openings, and these materials should NEVER be greased, because lubricants will saturate the micro-pores and “set” the gasket shape, making it non-elastic.

    Such gaskets quickly become unyielding, and will consequently perform poorly. Which means, not at all.

    LATCH / LOCK

    Most of the camera casings close the main hatch by excenter-balance type latch, supported by any kind of spring which keeps the latch in closed position. Some latches also have a lock that needs to be released for the latch to open, and this feature safeguards against inadvertent opening of the hatch. These locking latches will have additional springs beside the usual elastic element the latches are constructed with.

    In my experience, the plastic latch material differs from the material used in, say, accessories for attaching the cams. Such mechanisms are also exposed to different forces, as the latch material is “pulled apart”. Oppositely, the attaching accessory plastic elements are pressed together, and plastic material better stands such forces.

    What this boils down to is, one should take care never to allow the latch / lock plastic material to contact any chemical media that could change its resiliency, i.e. make it brittle! Of course, the latch mechanisms are replaceable, but the time it takes will never be replaced

    In rare cases you might want to detach the latch mechanism from the casing. Be extra careful, especially if the case has been used for a long time already. The latch material might have lost its elasticity. With the speed the new cameras and casing types are appearing, who knows if the manufacturer out there still has the spares … but if there isn’t any to have, one can improvise. Hint: stainless steel wire + pliers + ingenuity!

    Cleaning latches and locks: Just use clean water to wash out the mechanism. And when you’re not planning to use the camera case for a longer time, keep it in a dust-free ambient in the shade and at room temperature.

    Keep the casing closed and unlocked, so as to release stress from all parts that are normally under tension. It is also a good idea to remove the main gasket from its groove and allow it to relax, rather than having it constantly compressed. You might keep it within the casing, or in a sufficiently wide ziploc bag.

    ACCESSORIES & ATTACHMENTS

    Most of the camera accessories are used to connect the cameras and/or camera housings to some base, be it a vehicle or apparel. While there are too many to mention, these all are either made of plastic, or a combination of plastic and metal. Such components will accumulate dirt which, of course, should be removed.

    Rule of thumb here is to avoid any kind of mechanical scrubbing, solvents, or cleaning media that contain alcohol, benzene, toluene or acids. These change the plastic materials, making it brittle and prone to break. If you need some kind of detergent, just use a dab of a dishwashing gel. Otherwise, pure water at hand-comfortable temperature should be enough.

    Cleaning accessories and attachments: These consist of plastic and metal components. All the maintenance this requires is a thorough washing in warm water and, when dried, a slight lubrication of metal parts. Common household silicone grease is also good here.

    Apply a layer of grease to the screw tip and then work the screw into their counterpart bushing. That should take care of smooth operation. Never grease any plastic parts, though!

    Wipe grease surplus off the metal; what remains should be sufficient. Too richly applied lubricant just collects dirt, hair, lint and sand particles where you don’t want any.

    COMMAND PIN ASSEMBLY

    Saved the best for last!

    Command buttons are strategically placed extensions of camera buttons through the protective encasement, so we can work the cameras enclosed within. The buttons sit on top of metal pins which are sealed by small o-rings around the holes where pins enter the casing.

    A biased spring is placed around the pin under the button. This spring has two functions: it returns the button to its starting position against outer, ambiental pressure. More importantly, it also presses down on a small washer or pressure plate over the o-ring, so as to keep it firmly in place during the linear movement of the pin.

    The button, pin, spring, plate and o-ring sit in the guiding “well” which protects the arrangement, and ensures that the pin movement is perfectly linear, since its watertightness depends upon it. A guiding well is slotted to let the water cover the o-ring, for symmetrical pressure distribution.

    On the inside, the pin is held in position by an e-clip retainer, which keeps it from popping out of the casing. In order to have the command buttons in perfect working order, it is important that the pin moves smoothly through the o-ring without damaging it. Any dirt, sand, mechanical or corrosive irregularity on the pin will let water in and drown the camera.

    Button pin command assembly

    Cleaning command pins: To properly clean this most sensitive assembly we have to take it apart. Before beginning, let’s make sure we have a clean surface where the operation takes place (I use a tray), one small wooden dowel (I use wooden grill meat sticks), a clean wiping cloth, and small quantity of household silicone grease.

    To clean the command pins, best remove the main hatch by pulling its axle out of the hinges, and set it aside. The handling of the camera case will be so much simpler.

    Look inside the case and locate the e-clip on the end of the pin. Rotate the pin button so the open end of the e-clip faces you. Press the button halfway in, and hold it there.

    Removing the e-clip disassembles the button pin command for maintenance

    Push against the e-clip with wooden dowel to force it out of the pin groove. Slowly release the command button, letting the spring lift it out of its well. Don’t let go suddenly, or you may find yourself spending the rest of the day in search of minuscule spring-launched parts!

    Note the sides of the pressing plate – remember which side faces the o-ring. Note the spring ends – remember which side faces the pressing plate! Any error here during re-assembly invites danger from water ingress – so concentrate!

    Set the button, spring, pressing plate, o-ring(s), and e-clip aside. Inspect the inside of the command button well, and carefully clean that space the best you can. Put the tip of the wooden dowel in the folded corner of wiping cloth, and use this to wipe out any and all foreign matter. Set the casing to the side and concentrate on the other parts.

    Button pin command assembly (note the proper part order)! The side of pressure plate shown faces the o-rings.

    Button and pin are easy to clean using the wiping cloth. Make sure there are no irregularities in the pin smoothness, and that there are no sand grains, dried biological matter or anything like that in the spring spiral. Clean that out with the sharp end of the wooden stick if need be. Do the same with the o-ring pressure plate.

    An o-ring is best cleaned using just the wiping cloth, and then it should be slightly greased with silicone grease. Now this is important: to grease an o-ring, just use slightly greased fingers, making it only grease-shiny. It should be lubricated on all sides, but sparingly. Surplus grease will collect dirt, so “less is more” here!

    The purpose of the grease is to ensure the o-ring can move between its plate, the pin, and the case surface. Lubricant does not create watertight sealing – the ability of an o-ring to adapt and move with pressure does!

    Before re-assembling the command pin, you should also sparingly grease the bottom of the guiding well, o-ring pressing plate and pin shaft. Just fiddle with the parts in greased fingers, and take care the surfaces are slippery and shiny.

    Wash the grease off your fingers prior to proceeding!

    Put the o-ring carefully in its place at the bottom of the well. Cover it with the proper side of the pressing plate – it is indented on its o-ring side – and then place the spring over the plate.

    Now insert the button pin. It should go through the spring – through the pressing plate – through the o-ring(s) – through the hole in the casing… to emerge inside the case. Keeping the button pressed, turn the casing upside down, so the pin protrudes upwards. Hold it there.

    On the end of the pin you should see the e-clip groove. Carefully put the e-clip opening against the groove, and use the dull end of the wooden stick to push it all the way in. Make sure all three points of the e-clip are properly seated before letting go of the button. Push the button several times to spread the grease film over working surfaces. Feel the difference?

    Putting the e-clip retainer back in its groove completes the maintenance.

    Done! Repeat the procedure with all the button commands of your camera casing.

    Don’t fret – once you have done it a couple of times, it will take less time than what you have just spent reading through this Guide!

    Generally, you should wash the casing after every diving session, and service the pin commands after every diving season. However, since lubricants are gradually removed with every use of the case in water, the grease will have to be re-applied.

    Frequency of cleaning will actually depend upon your frequency of usage, but also dependent upon the kind of watery ambient the camera was used in. You should decide, for it is your diligence and care that lets you enjoy your equipment for a long time.

    And then… just take your cam and boldly go where no cam has gone before!

  • What makes the difference in a cheap action cam?

    What makes the difference in a cheap action cam?

    There are several but important aspects useful in evaluating the purchase of an action cam, even more so with these Chinese cameras. Here is a Quick List of what you have to check prior to buying:

    Resolution

    Every camera can record videos in a number of different resolutions. Some are capable of capturing images in 4K, but most of the times this resolution on cheap cameras is fake, due to interpolation. At this point, should you ignore these? Absolutely not! First of all, we can’t expect too much from highly affordable cameras, but it doesn’t mean that such cams are bad. If you are interested, you can find more specifically about 4K resolution below.

    Bitrate

    Many times we mention bitrate as the cause of low image quality, also when we said before that certain camera has a good potential. Are we crazy? I hope not, but if you want to research deeper to clear some doubts, you can read a bit more in the section below.

    Frame rate

    The frame rate is the number of frames per second (fps) captured by the camera. This feature is important if you want to record slow motion videos, because it makes your recording absolutely EPIC! This also becomes very useful if you need smoother videos, especially if you are a sport lover.

    Credits https://www.youtube.com/user/theslowmoguys

    Bitrate – Explanation

    When we approach a camera, we find ourselves facing tons of numbers and features. Well, bitrate is probably the most unknown and undervalued of all. Let’s clear it in the simplest way possible.

    What is the bitrate?

    The bitrate is amount of digital information (bits) recorded in time. In general, bitrate is expressed in bits per second, and usually expressed as Megabits-per-second (Mb/sec) and Kilobits-per-second (Kb/sec).

    Why is that important?

    The bitrate affects a lot of parameters in any digital recording, and everything spins around it.

    First, it affects the video quality, and thus the size of a record file. Obviously, when more data per second needs to be written, it requires more space.

    Does that mean the higher the bitrate the higher the quality? This equation is always right. Why? Let’s observe those three aspects together.

    Bitrate, Framerate and Resolution… TOGETHER!

    The framerate is easy to explain and easy to understand. There is a fast explanation above and I think it’s clear. The resolution, instead, is nothing more than the quantity of pixels that a camera uses to record the scene. Higher resolution means more details.

    The bitrate could also be a limitation that can lose part of the information in the video.

    A little bit of math makes the concept more understandable:

    Let’s use the same camera at two different resolutions. The first will be 4K (4096×2160) at 60fps, and the second 1080p (1920×1080) at 30fps:

    • First resolution – 4096 x 2160 x 60 = 530.841.600 pixels
    • Second resolution – 1920 x 1080 x 30 = 62.208.000 pixels

    This is why bitrate can be a problem. Each pixel is made by an amount of bits, and if we record with a frame rate and resolution that exceeds the bitrate of the camera, it must apply a compression. Everyone knows that compressions reduce the quality of the file; the more the file is compressed, the less quality it will retain.

    Another aspect where the bitrate affects the quality is the velocity of data written to the storage. If you have a low bitrate, any SD card is fast enough to write the data in real time; but if you have a high bitrate, the camera doesn’t lag behind the data captured, so it is losing quality or, in some cases, it interrupts during video recording. This happened to me with the Eken V8s.

    Concluding this explanation, higher bitrate means a better quality gear, which translates into more money.

    If you don’t know which SD card to buy for your camera, you can consult the page here. I found it very useful!

    4K Resolution

    The 4K resolution is ever more available with contemporary cameras. But what is a 4K resolution?

    4K is the size of the screen and the amount of information contained in a file. If a video is recorded in HD (High Definition) the resolution is 1280×720 pixels, Full HD is 1920×1080, Ultra HD is 3840×2160 and 4K is 4096×2160. This is an example of the difference between these resolutions:

    Nowadays the 4K is almost everywhere, but is it actually useful?

    Only a little percentage of monitors and PCs can handle the 4K resolution. Even making a post-production can create problems with resolution that high, if you don’t have a very good PC. To boot, the most famous on-line support like Youtube or Facebook needs to compress such kind of files a lot, and obviously dropping a lot of quality in doing that.

    Let’s see some pros and cons of high resolutions like 4K.

    Pros to have a 4K device

    Cropping of images

    One of the good sides of high resolution is that you can easily crop the image by 50% and still keep a reasonably high level of quality.

    Create fake camera movements

    It is very often in cinematic recording to create a fake movement or shaking. It is used for extra motion effect in the videos, as it makes the recording more “active” and “realistic”, as opposed to a completely static camera.

    Stabilizing of images

    Contrary to the above point, having a higher resolution can help one to crop and stabilize the image. Higher resolution means more available space to move in case of unwanted shaking.

    The cons, as I said before, could be the in requirements to replace some part of your equipment; first the SD card, and then your computer. You need something decent to work with high resolutions, maybe it is your monitor and also your hard disk, because you need a lot of space to store videos made in 4K resolution.

    In conclusion, if you have in mind to use the 4K resolution, you’d have to consider all of said compromises. If you already have all the things required / listed, well… we all envy you!

    But don’t let that stop you having fun working with those huge resolution!

  • Xiaomi MiJia Mini 4K Action Camera Review

    Xiaomi MiJia Mini 4K Action Camera Review

    Whenever a new camera is due, it is always a special day. I bet you know the feeling. So when the DHL pickup stopped in front of the house, I was as excited as my doggies, because we all immediately knew that Something from Very Far Away has arrived.

    Then I signed for the yellow-red-gray envelope and scissored my way through it to get at the sturdy cardboard box. Inside was yet another, smallish but beautifully made white presentation box, wrapped in a protective bubble sheet. It was solidly sealed in a tight plastic layer. I cut it carefully away to open the box and let the daylight shine upon…

    What’s inside the box?

    … the new Xiaomi MiJia Mini camera, a.k.a. Mi Action Camera 4K, model YDXJ01FM, sitting amid this perfect piece of packaging!

    I lifted the camera with its cardboard spacer out from the box, and underneath was yet another paper spacer containing one battery, and one thin and short USB cable. That’s all?

    Nope. There was also a small rectangle of the zigzag-folded piece of paper that I instantly recognized as my always-first Readme – a Quick User Guide.

    Printed in Chinese ideograms. And in… nothing else.

    Twenty seconds of fast-forward around the frustration…

    Closer look

    I could clearly feel my blood pressure rise, attempting to overcome the weight pressing down on my patience valve. How on Earth am I going to read this Guide? And then I thought, maybe I should trust my instincts. Just discover how to switch the cam on, and with Lotsa Luck maybe hen-peck my way deeper? Maybe I can find some tongue that I comprehend before I click, touch, or swipe something wrong and turn the camera into a paperweight.

    Truth be told, first I had to really admire the cam because even while it’s still just a piece of dead hardware, it definitely is one beautiful product. I know you can see the MiJia Mini on about zillion other pages, but let me try and convey just my personal impressions.

    Design & Quality

    Xiaomi MiJia Mini is really small, bordering on dimensions where the size of my fingers gets in the way of operating it. The black camera sides have fine sandpaper texture that offers good grip on all four lateral sides. Front camera plate is also anthracite, in the powder-like matte finish, while the whole back surface is made of glass. Width vs. height ratio of the camera’s round-cornered shape is roughly 16:9, which is quite an elegant form in itself.

    The cam’s optical system is recessed in a sturdy metal shark skin-textured ring which is very grippy, although it is not meant to be manipulated at all. However, if MiJia ever decides to create some kind of quick-attach accessory (like an attachment hoop for dash cam use), this surface would offer excellent friction. Consider it one donated idea.

    While at that, it is obvious that some sort of lens cap would be useful to shield the optics from fingerprints, or mechanical damage. Such a lens cap is missing for now, but if MiJia produces the thing, it should be made so that it hinges at the ring encircling the lens tube. It would be very practical to quickly flip the lens cap open or closed. Consider it another donated idea!

    There is a LED indicator on the front plate. It shows red when the camera battery is charging, blue when the cam is operating, white during data transfer, and orange when you’re halfway through the battery capacity. One more red LED is topside, by the main and only button.

    This single large metal button is recessed into the top surface, functions as Power On / Off, and also Shutter / Record command – both photo or video, camera mode dependent. Later I found it was more capable that that!

    Also topside, there is one of the microphones (the other is below the USB port) listening through a single hole. A row of six holes above the lens is where the speaker speaks from.

    The USB port on the left side has a sliding cover, which is one welcome feature against the lint-in-connector problem. On the camera underside, another cover hides the battery and microSD space. This cover slides out and springs open, but only if you press at the arrow-marked spot which is actually a small, elegant lock. Otherwise, it won’t budge.

    An ¼” standard tripod bushing in chromed metal situated in the optical line under the lens and the cam data imprinted on the battery cover conclude the camera underside inspection.

    Camera in action. Small tripod is also an MiJia product.

    The touchscreen monitor is a 2.4″ LCD with a resolution of 960×480px; the largest among all the similar action cameras to date. It functions as a good touchscreen that you touch and swipe to pick among various settings.

    This is sufficient for setting things up and controlling the frame, but don’t look for extra quality in color, or very good visibility in the strong light, though the monitor light intensity is adjustable among Normal, Medium and High.

    Specifications

    [go_pricing id=”xiaomi_mijia_mini_4k”]

    App

    There is a QR field in the Guide which lets you open usual sites to download the Mi Home App, from Google Play (Android) or App Store (iOS). The App lets you connect your phone to the camera’s WiFi and offers a remote user interface that enables you to change several settings, to start / stop recordings, and to view photos or videos.

    Frankly, I delight in using my cameras out of hand rather than overloading my phone with yet another program to deplete the meagre power that the phone battery has, so I am skeptical about any app right from the start, but I downloaded it anyway for testing purposes.

    I tried it and it wouldn’t work with my phone (Android v.6), so I scrapped it. But experiences usually vary. Perchance you’d need this App, in which case you should visit the above links.

    Quick start guide

    What I got with the camera was a strip of folded paper printed in Chinese ideograms. There are several neat camera drawings where all relevant parts are number-marked. Still, it was of no use to me. Why is it a problem to add small, multi-language Manual with the product?

    Firmware

    To put it succinctly, any Manufacturer’s website should have Guides, Manuals, and Firmware on display and available right under the product photo, but that is not understood – which is one real mystery. So I traveled the net far and wide, to finally stumble upon a site where I found new cam Firmware, and enough sensible data to bypass the pretty leaflet. Kudos to the author who saved me with these instructions! The least I can do is make it known here too.

    NOTE: You always update any camera firmware at your own risk!

    – Download the firmware file firmware.bin (v0.6.9.2578)
    – Put the firmware.bin file into the root directory of an empty, FAT32-formatted, high-speed memory card.
    – Verify the camera battery is full. Turn camera Off. Put the memory card into the camera.
    – Turn the camera On. The camera will boot to a prompt screen in Chinese. Touch the button on the right side of the screen to confirm the firmware update.
    – The camera will power off and flash its lights for 1 – 2 minutes. When the firmware update is complete, the camera will reset.
    – Once the camera has reset, swipe downwards from the top of the screen.
    – Tap on the Settings (leftmost) icon and scroll all the way to the bottom of the Settings menu.
    – The Language Selection is the third option from the bottom of the list.
    – Select English. Confirm. Your camera interface is now in English.

    So after having the Firmware* updated, I found the Settings option for the Language Change. The camera interface became alive, and bristling with options that I could actually use!

    MiJia: please add a leaflet in several popular lingos which first points the buyers of your cameras to where and how the interface language can be changed! This proved to be of top importance, because it opens all the other locks and limits. Since there is a Help file already in camera (!), all cam operations quickly become familiar – and efficient.

    (* See also another link in the Erik’s comment below!)

    First Attempt

    The interface via the cam’s touchscreen employs swipes and touches to move through the numerous options available.

    Swipe downward from the monitor top to reveal four basic menu symbols that stand for General Settings, WiFi, Monitor Lock, and Power Off.

    Swipe to the left to check your recordings, and to the right for photo and video options. Tap at the SliderSwitch symbol in the lower right corner of any mode, and a submenu for that mode will let you tweak all the mode-specific things in there.

    Long story short, once the interface language became readable to me, the rest was really easy, because this piece of software is very well conceived, and intuitively quick to use.

    MiJia Mini mounted on an articulated support arm. Learn more in our “Accessories” here about this handy item.

    Video Quality

    Video options let you control Resolution (4K @ 25fps, 2.5K @25fps, 1080 @100/50/25fps, 720 @ 200fps), Quality (Superfine, Fine, or Normal), Lens Distortion Correction (On or Off), Mic Mute (On or Off), Metering Mode (Spot, Center, or Average), EV (0, plus or minus 0.3, 0.7, 1, 1.3, 1.7, 2), WB (Auto, Incandescent, Sunshine, Cloud, or Underwater).

    Then there is a Timelapse Video, where you can pick Intervals (0.5, 1, 2, 5, 10, 30 and 60 sec), Video Length (6, 8, 10, 20, 30, 60sec, and 2 min), Resolution (4K@25fps, 2.5K @ 25fps, and 1080 @ 25fps), Quality (as above), Lens Distortion options (as above), Stamp (Off, Date, Time, Date & Time), Metering Mode, EV, and WB as explained above.

    You might enjoy Slow Motion Video by mastering control of Speed (2x – 1080px, 4x – 1080px, 8x – 720px), Quality, Lens Distortion, Metering Mode, EV, and WB as already described.

    There is the option to Loop your records, where new records overwrite old ones. You can set the Video Length (1 thru 30 min), Resolution, and other already described variables.

    Shooting Video+Photo is possible too. Things controllable there are Interval (from 5 thru 60sec), muting of the microphones, plus the choice of above-described options.

    As to the quality, see for yourself. I think daylight footage is very decent, considering, but night shots are not what this cam has been made for. Still, since daylight actions prevail…

    Photo Quality

    Photo Menu lets you select Aspect Ratio (16:9 or 4:3), Output Format (JPG or JPG + DNG*… yes, this puppy also records RAW!), then all the other things, plus Shutter (Auto, and from 1/60 thru 8 sec), ISO (Auto, or 100, 200, 400 and 800), also Color (pick among Standard, Bright, Artistic, Film, and Classic).

    Self-timer called Timer lets you choose between 3, 5, 10 and 15sec. Burst Rate can vary from 3, 5, or 10 pics per sec, 10 pics in 2 secs, 10 pics in 3 secs, and 30 pics in 6 secs.

    And there is also the Timelapse Photo mode, where, similarly, you pick the interval, aspect ratio, lens distortion correction, stamp, metering mode and the usual rest of said options.

    Photo quality is very good, except for a slightly annoying delay between pressing the shutter and a photo being taken. It’s conceptual, but there you are. Never forget the camera price.

    * DNG stands for Digital NeGative file and is also considered to be a RAW image file. It is Adobe’s proprietary image standard that was created to store image data in a generic, highly-compatible format, unlike RAW files that have specific formats based on manufacturer and camera type.

    Lakeside scenery photographed with MiJia Mini
    Same scenery with “duck value”, photographed with MiJia Mini
    Actual size (1:1 crop) from previous scene (photographed with MiJia Mini)
    Pretty accurate rendition of color (daylight, interior). Photographed with MiJia Mini.
    Interior, fluorescent light (auto WB). Photographed with MiJia Mini.
    Outdoors (LED streetlight) + fluorescent inside. Photographed with MiJia Mini.

    UPDATE 09/11/2017 – Adding four more photos made with MiJia Mini:

    Taken in low light, so it needed some de-noising for personal taste… There were no other changes, bar the reducement of image size, and a watermark added.
    With the rectilinear correction Off, some Fisheye effect is showing. Unedited in any way (save size reducement and watermark).
    Unedited in any way, save image size reducement and added watermark.
    Shooting against the light; the camera manages very good, considering its wide angle lens and fixed aperture. Not edited, excepting the image size reducement and adding of a watermark.

    FOV and DOF

    The Field Of View seriously affects Depth Of Field (a.k.a. Depth Of Focus). Sometimes it is a problem, like when one wants to have blurred backgrounds. At other times it might be a sort of blessing, like when you want some simple, rugged optical system that can withstand rough usage. Exactly these features are paramount in action camera optics where there are no moving parts to break down or go out of alignment.

    As a rule, the wider the FOV (the lens input angle) the longer the Depth Of Field (the lens ability to render near and far objects sufficiently sharp). Typically, the long DOF occurs with Fisheye lenses, and the shallow DOF is characteristic for telephoto lenses. Another factor influencing DOF is the Aperture (f-number), but you may disregard it since action cams have a single, constant aperture value.

    While faraway objects recorded with a wide-angle lens will be sufficiently sharp, sometimes you’d want to know just how close you can approach your objects, and still have them rendered sharp. Or, what’s the minimal distance for any particular optical system before the images become blurry? Simply do this test.

    Set several objects up at measured distances from “ground zero”, which is the point of view (POV) where you hold the cam while photographing. Make a few photos of the scene, and determine where the unacceptably blurry zone ends. That would be the closest distance between your camera and any object you’ll want to appear sharp in the picture.

    Bear in mind that every action camera with different FOV and/or f-number will have a different DOF, and its sharp zone will begin at a different distance from the camera. Things will also change somewhat if your near objects happen to be in the middle of the framed scene. In short, these things need to be experimented with before committing oneself to some serious projects!

    Finding minimal distance…

    Sound Quality

    Quite good, as far as I can tell across the range of tonal and noise frequencies. I also wanted to record the wind over bare cam’s mics, as certain action soundtracks might suffer from such noise. Best listen for yourself to the sound recorded in the short footages below:

    Battery Test

    Several test recordings were made outdoors. I did the recordings at a setting of highest resolution and also at the highest frame-per-second rate. In all tests, the monitor and WiFi emitter was constantly set to ON, so as to force the highest level of energy spending. The battery was charged in-camera, using a Tesla smartphone charger.

    This camera battery at 1450mAh is quite capable, as action cams go. It is good for ~90 minutes of 4K recording, or for about 120 minutes of 1080p recording at 60fps.

    Charging the battery with any typical smartphone charger featuring 5VDC / 1A output took about 100 – 105 minutes. I also used my smartphone cable that has the same USB connector. It made no difference; neither with the charging nor with data transfer.

    NOTE: the charging / depleting values are never absolute since there are variables that influence the tests, such as ambient temperature, internal temperature, usage with or without protective housing, specific charger, production batch, also whether the monitor, WiFi or Bluetooth are Off or On, etcetera.

    Waterproof Case

    There was none at the moment of this writing  but…

    1. UPDATE (thanks to Erik’s comment below). There seems to be an adequate case made for  this camera, though. On eBay it is described thus: (c/p)

    Description:

    [What you are viewing is a] Waterproof housing Case specially designed for the latest Xiaomi Mijia 4K Mini Action Camera, the housing case is upgraded to support 45m waterproof, it is a must for a diving enthusiast.

    Features: (comments in italic added by author)

    Compact, Light and Portable (this much is true)
    Allows your Xiaomi Mijia 4K Mini Action Camera shooting underwater down to 45 meters to discover the world of the underwater (this is true, even described in this inimitable way)
    Control freely as you want underwater (Not quite. But there is a way to change certain things)
    Around rubber ring for excellent sealing effect (… and it does not look like o-ring, so…)
    Made of premium acrylic plastic (Hmm… as “premium” as all the other similar cases)
    Ideal for diving, surfing, snorkeling, skiing, yacht or other activities (true)

    2. I have acquired a casing for this camera. and you can read about it here!

    3. Simplicity is a good thing… Generally true, but not always. That’s what I thought about the touchscreen oriented camera with one single button available when it is enclosed in its watertight casing!

    And then I played around in the menu named “In Housing Mode”, and found out that you can yet use that single command button for other things. Namely, in that mode the long-press will open the whole list of other options, such as Video, Timelapse, Photo, Photo Timelapse, etc., and you can loop through those options using short-press command.

    Of course, any special setting within any of the options mentioned should have been set up before (e.g. timelapse intervals, or photo ISO value, etc.) but the changes, though limited, are still possible. The last option in said mode is “Off”, thus replacing general function of the long-press when “In Housing Mode” is Off.

    This is one of the most comprehensible use of a single-button command I have seen yet.

    Summary

    Xiaomi Mijia has a 1/2.5″ 8MP Sony Exmor IMX317 sensor that looks through 7-element camera lens which has a FOV of 145° and an UV filter built right in. A Bosch gyroscope and 3-axis-accelerometer take care of 6-axis electronic image stabilization that is active when the camera is turned on (actually you can’t switch it off).

    The images can be corrected rectilinear which is one among many user options, so the straight lines of objects appear straight in the image.

    Photo and video files are processed by Ambarella A12 processor that is also used in some other action cameras, like several models produced by SJCAM, ThiEYE, or Hawkeye.

    To conclude: the Mi Action Camera 4K is an almost excellent device that could be made better, merely by taking into account the things listed as Not Good. To my taste, it should have been built into an at least weatherproof case. This is supposed be an action camera, isn’t it so? Well, most of the action worth recording occurs in the Great Outdoors and an action cam should be able to shrug off the most adverse conditions out there!

    MiJia… Please, just build the same quality right into an underwater casing. No middle box.

    Or more simply: do away with leaky boxes forever, and you will be on top of the tree!

    Good things:

    • Very good price
    • Neat manufacturing
    • Relatively large battery
    • Quality optics and sensor
    • Useful and speedy interface
    • Many options and sub-options
    • Very good design, excellent finish
    • ¼” standard metal tripod bush in optical axis

    Not Good things:

    • No protective Lens Cap
    • No accessories with Camera
    • Hard to find crucial FW updates
    • Insufficiently clear web presentation
    • Hard to find Language Change option
    • No extensive User Manual in many languages
    • No half-click in trigger (= delayed photo shooting)

  • SJcam SJ-Dash Dashcam Car Camera Review

    SJcam SJ-Dash Dashcam Car Camera Review

    In today’s review, I’ll be taking a look at SJ-DASH, the first ever dash-camera by SJCAM. We announced a release of this car camera a while ago and I’m excited to share my experience with it. First of all, let’s clarify some things about the camera name.

    Some retailers call this camera M30, whereas some call it SJ-Dash. If you are a regular here, you know that we covered most of the SJCAM products so far, including a cube-shaped M10 and M10+, together with M20. Official SJCAM website lists this model as SJ-Dash so there are no doubts that that’s the official name for it. SJDASH is not M30, end of story.

    What is the difference between an Action Camera and a Dash Camera?

    The answer is easy. Action Cams are created to be rugged, waterproof, and be used prevalently in sports situations. However, people also have them for everyday use, as well as on holidays. A Dashcam, on the other hand, is made exclusively for creating car records. It’s main purpose is to record a traffic. Unlike the action cam which is dynamic, dash camera is static, for it is mounted on your windshield and records traffic.

    This article has the good explanation on what to expect from a car camera. Furthermore, our friends over at Dashcamtalk have a good resource and a forum where you can get more information on these type of cameras.

    In my experience, these cams are meant to record bad drivers, or in the worst situation, use them to keep evidence record of an accident. Here are some examples of what happened to me:

    After this little intro, let’s talk about the camera in more detail. I’ll first guide you through the technical specs of the SJ-Dash and we’ll move to unboxing it and showcasing its design. Later we will move on to video, audio and performance testing.

    SJCAM SJ-DASH Specifications

    [go_pricing id=”sj-dash”]

    Unboxing

    To find out what the SJ-Dash package contains, take a look at the unboxing video I made.

    Accessories

    As I said, this camera is not an action cam, so it doesn’t need a lot of accessories. It is not built to work underwater or mounted on a helmet, surfboard or a bike. Its main purpose is to stay fixed, looking through the windshield of your car and record. So its few accessories are minimal but functional. What it requires (and what you get with it) is:

    • Sucker mount
    • 3,5 meters of USB cable
    • Double USB car charger (1A + 2.4A)

    These few accessories are of great quality. I was a tad skeptical about the sucking mount, but after 10 days under the sun and the rain it is still firmly holding on to my car’s windshield and that’s incredible. It also has a fast mount; just put the camera lens into it and the camera will clip automatically onto this small accessory. Couldn’t be more practical.

    Then, there is 3.5m USB cable. This fairly unusual length is there because the cable is meant to be placed behind the car plastics, like in this picture:

    The cam’s USB power/charger adapter is fantastic because with the 1A output you can keep the camera powered on and with the 2.4A (fast charge) you can charge your phone, or anything else in the adequate voltage range you might have.

    Design and Build quality

    Design of the camera and its accessories are incredibly good and, above all, functional. The camera is very light and small. It is elegantly black with chrome edges, like its charger.  I also really like the “Reflex like” feature, it is very original!

    Fun fact: all the glass around the lens in the middle is just fake – empty plastic.

    The screen is wide and very visible, things are easily readable. It works well against direct sunlight.

    Under the screen, there are 4 touch buttons. When you view the video screen their functions are:

    • Mic – On/Off
    • Wifi – On/Off
    • Lock – It locks the current file to prevent accidental deletion
    • Settings

    Conversely, when you are into the setting section the touch button functions are:

    • Back button
    • Move Up
    • Move Down
    • Select

    On the left side, there is the only button on this camera: the power button. Topside is the USB port and on the right side, there is the SD card slot.

    Menu Overview

    This camera has very few menu options and it’s quite easy-to-use. There is just the main settings and nothing more. You can reach it with the button on the screen:

    The menu is divided into two parts, Playback and Setup (Settings):

    In the Playback section you can access all the videos made:

    In the Setup section there are these settings:

    • Loop Recording – Off/3min/5min/10min
    • WDR – On/Off (WDR stands for Wide Dynamic Range)
    • Motion Detection – On/Off
    • Time Stamp – On/Off
    • Gravity Sensing – Low/Medium/High
    • Languages – English /Dutch /French /Italian /German /Spanish /Portuguese /Chinese/Japanese /Russian /Romanian /Czech /Polish /Slovenian /Hungarian /Danish /Turkish and some other languages which, to me, belong in the “incomprehensible” class.
    • Date/Time
    • Keypad Tone – On/Off
    • Screensaver – 30s/1min/3min/5min/Off
    • WiFi SSID
    • WiFi Password
    • License Nr Set
    • Format
    • Default Setting
    • Version

    I like to say that this camera is Plug&Play because there are no particular settings, just one resolution, and no shooting the photos. You just mount and use it 2 minutes after pulling it out of the box. It’s quite user-friendly and easy to navigate.

    Video Quality

    The video quality is good. Thanks to the wide angle of view (140°) you have a great vista of what’s in front of you. This camera has just one resolution,  1920 x 1080 at 30fps. The quality is good but not quite the best, because it has pretty low bitrate of 15.000kbps and, to make a fast comparison, the usual action cameras have around 30.000kbps.

    For this camera, it means low details. Taking into account that the camera has a small sensor (only 2Mp), it does a great job.

    I was amazed of how good this camera can handle difficult light! It’s just incredible how good it manages light and colors with the sun directly into the lens.

    In an average daylight situation, this is the result:

    It would have been better if there was a stabilizer on this camera, like SJCAM’s usual gyro. Sometimes it shakes quite badly, in part just because Italian roads are horrible. Still, the problem exists, and at times very notably so.

    In the night this sensor can pull out its best, because it captures a lot of light for a clear view of everything:

    As it was also a rainy night, so I think this camera solved it better than many other.

    I have just one little thing to report:

    On the video margins there is a little bit of “motion blur”. Somewhat hard to explain, but it probably comes from the relative object speed at the edges of the wide field of view. A photo can help you see what I mean:

    In other words, this camera is good for its price. Maybe it could do even better by dint of some clever twists in its next firmware?

    Audio Quality

    The audio quality is not quite the best. It’s enough to record a conversation, but not if you want to record something in high quality. Audio record sounds like listening through a pillow. This is an example of conversation:

    And this is an example of high volume music:

    At least it doesn’t distort the sound, but high frequencies are missing and everything seems muffled.

    I also noticed that it can capture too much wind noise when high speeds are reached, and this is an example:

    I was driving between 70 and 80km/h then, not that it was overly high speed, but you can still hear it.

    Sj-dash WiFi and App

    Yes, this camera has the WiFi, but the app is minimal – just like the menu. It consists of 3 pages:

    Would you need something more than a HUGE button in the middle on the screen to start the recording?

    Jokes aside, the App (as all other Sjcam apps) is perfectly stabile and very fast. Nothing to grumble about. It works just how every app should work, and that’s good.

    Battery

    This camera has no battery, it has a capacitor, which is standard for a dash camera. Capacitors are more durable and can withstand longer periods of recording without getting overheated. This means that camera can’t operate when disconnected from the power supply; in fact, you have to attach the charging cable for power. By the way, with a 32Gb SD card, you can record about 5 hours of videos.

    Summary

    This camera is one good camera, and for the price can’t ask for much more. Its accessories are simply great. Its design is beautiful. Everything works well. I wouldn’t say no to a better video quality, or maybe just a 60fps resolution, it would surely considerably increase the marks and the pleasure of using this camera every day.

    SJCAM: if you are reading this, consider it a tip for your future models!

    The rest of the camera is great as it is. This is one good product for all who want to try a Dashcam for the first time. Even though we don’t review dash cameras much on this website, it was interesting to experience for a change.

    I hope I’ll have a chance to try other Dash cameras, so as to be able to make a comparison.

    Pros:

    • Very affordable dashcam
    • Great design and build quality
    • Easy to mount and easy to use
    • Great quality accessories

    Cons:

    • Not the best audio quality
    • Video quality is a little bit low but acceptable for this price
    • Absence of the Gyro (or another kind of stabilization)

    Where to buy it?

    Here are some stores where you can buy this car camera if you decided it’s right for you.

    Amazon.com
  • The RX0 by SONY – Something Worth Craving

    The RX0 by SONY – Something Worth Craving

    Here comes something new from Sony: the RX0 which they tag as a multimedia camera. Looking somewhat like GoPro, it sports a 1-inch sensor which, in itself, is quite revolutionary for an action type camera. It will be welcome to multimedia creators as it offers advanced features and image quality.

    Sony RX0 Camera (PRNewsfoto/Sony Electronics)

    The RX0 weighs just 96.1g / 3.9oz and measures (WxDxH) about 60.5mm / 2.38″ X 41.402mm / 1.63″ X 30.2mm / 1.19 but it can do 4K video with HDMI output , and also beautiful things like 960fps (!) slow motion, as well as burst shots up to 16fps.

    “Up to 960fps super slow motion can be recorded. Image quality approaches Full HD quality at 240fps in Quality Priority mode. Sound cannot be recorded when shooting slow motion and setting conditions of focus, exposure, focus area, frame rate and other settings are fixed when start shooting. Micro SDHC/ Micro SDXC memory card of Class 10 or higher is required.”

    All these candies packed in tiny waterproof box means something salivatingly good and expensive in the same go.

    Judging by the initial press release, the 15.3 MPx 1-inch sensor looks through a 24mm equivalent f/4 Zeiss lens and the BIONZ X processor takes care of the processing.

    “The new RX0 camera features a 1.0-type stacked 15.3 MP6 Exmor RS CMOS image sensor, BIONZ X™ processor and a wide-angle ZEISS® Tessar T* 24mm F4 fixed lens to deliver high resolution and less distortion results for both RAW and JPEG stills and across all supported video formats. It is equipped with an Anti-Distortion Shutter that can shoot as fast as 1/32000 second, as well maximum burst shooting capability at up to 16 fps, ensuring that even fast moving objects are beautifully and accurately rendered. Its small size also makes it an ideal choice for casual shooting, street and travel photography and more.” (Markets Insider)

    This is what SONY highlights in describing their new camera:

    “The image sensor’s innovations enable various kinds of expression that used to be supported only by pro-use gear.”

    “Stacked DRAM memory chip structure allows for unconventionally fast readout that enables superb performance in many respects including super slow motion.”

    “Packing professional-class functions to capture captivating images, the strong, compact RX0 gives you the range and freedom to shoot for more inspiration.”

    RX0 is rated waterproof to depths down to 33 feet / 10 meters as is, but can reach 100 meters (11Bar) depth with the optional HSR1 casing. The camera should be safe dropped from 6.5 feet / 2 meters, and crush-proof to 440 lbs / 200kg, but you shouldn’t try none of it anyway.

    That’s because (based on Sony tests) “Depending on usage conditions and circumstances, no guarantee is made regarding damage to, malfunction of, or waterproof performance of this camera”. In other words, user is likely to be guilty, whatever the conditions. So beware!

    Keep it from temperatures lower than 0 degrees C, though – it hates to be in the cold.

    You can link up to 15 RX0’s together and operate them via the optional WRC1M wireless transmitter, or via the PlayMemories app. They say one can synchronize and control five units at once, which is great for effects and advanced video scenes.

    Since SONY in many ways has a leading role in photo industry, it is easy to expect many others to follow suit, so it’ll be interesting to see which manufacturer will incorporate an 1″ sensor into their products next… Also, will it be accompanied by similar firmware muscle, even if the final product might cost a lot less than the RX0? For, it has already happened in the industry, where the cameras appeared priced ¼th or less than quote original unquote. Leaders are thus always hard-pressed to invent something “new” just to remain on, or at least near, the top.

    And while it might be extremely hard to predict anything in the imaging industry nowadays, let me predict that, because of the above, users of action and/or multimedia gear may find themselves living in interesting times, provoked by the very appearance of RX0.

    The Sony RX0 should begin shipping in October 2017 for an estimated US$700/CA$900/€800.

    Check out these brilliant specifications:

    • 1″ stacked type 15.3MPvi Exmor RSCMOS image sensor
    • BIONZ X processor
    • Wide-angle ZEISS Tessar T 24mm / F4 fixed lens
    • Anti-Distortion Shutter (up to 1/32000 sec)
    • Can shoot up to 16 fps
    • Waterproof as is to depths down to 10m
    • Extra MPK-HSR1 housing enables depth down to 100m
    • Shockproof when dropped from up to 2m
    • Crushproof to 200kgf / 2000N
    • Super slow motion footage – up to 1000fps
    • 4K clean HDMI output
    • MF Assist and Peaking Functions
    • Picture Profile options and S-Log2
    • Time Code / User Bit features
    • Preset Focus options
    • Works with a full range of accessories

    Wouldn’t you just want one?